Published on Oregon ArtsWatch, August 17, 2017, excerpted here
“We cannot fight old power in old power terms only. The way we can do it is by creating another whole structure that touches every aspect of our existence, at the same time as we are resisting.” — Audre Lorde in an “An Interview: Audre Lorde and Adrienne Rich” (1979)
What are the literary works that have defined the educational experiences in the U.S.? Which authors continue to shape the thinking and writing of those entrenched in this country’s educational systems and academic institutions? De-Canon, a newly launched project in Portland started by literary artists and educators Dao Strom and Neil Aitken, is turning a critical eye on popular understanding of this country’s literary canon—bridging the idea of a site-specific “library” with digital resources, visual art, and performative practices, all centered on literary artists of color.
Questions of educational pedagogy have fueled the organizer’s drive to offer an alternative to the hierarchy of western literature. “Courses, and even workshops (practice-oriented workshops), are consciously or unconsciously built around the assumption that there’s only a western canon to have a conversation around,” explains Aitken. Gesturing to his and many of his fellow writers’ shared experience, he notes, “When we sit in an MFA workshop or someone teaches us the craft of writing, the texts that they reference are almost always exclusively white male writers, with a handful of white female writers. And it ignores generations, hundreds of years, even millennia of other aesthetic work that’s out there. And it also ignores contemporary writers of color.”